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His tone is ominous and puts the audience at unease. The camera pans to follow the car which by the past tense, narrative non diagetic sound an audience knows Walter is driving the car. Uses chiascuoro lighting.Ĭamera pans showing an establishing shot of the landscape of a city in America. Lighting, staging and prop of the staircase reveal a great deal about the characters & create a mood & tone for the audience. The orchestral music sounds menacing and unsettling.įirst meet of Phyllis & Walter. It is shocking to the audience when they hear the diagetic foley sound of the shot when she is killed. She has tears in her eyes and does embed some sympathy in the audience however she cannot be trusted. The over the shoulder shot shows Phyllis deep emotions in a close up. It shows her dangerous characteristics as the gun in the shot is iconography of danger and death making her seem deadly when placed in her hands.
#Music in double indemnity analysis code#
In this scene Phyllis shoots Walter however misses which feeds the enigma code as to why Walter had a blood shot mark on his right shoulder when recording his confession. She seems to feel no remorse for leaving Walter on the train supporting the fact she is a Femme Fatale character. To contrast this Phyllis is very calm & seems quite excited at the prospect of what is about to happen. The dialogue from Walter in a fast pace reveals his fear and panic in preparation to their plan. The pace of the music is very slow and creates the mirrors the narrative of Walter's decline.
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The orchestral brass band music in minor key also creates a menacing, chilling and ultimately tragic tone. Lighting in the car is very dark, low key lighting foreboding of what crime they are about to commit. A deep focus shot of Walter shows his fear and develops the theme of Double Indemnity being a nihilistic/nihilismFilm featuring a bleak, depressing tone where the protagonist is concerned with the subjects of death, suffering, tragedy & unhappiness. It presents the dialogue motif of ‘straight down the line’ which is repeated throughout the dialogue in the film. This setting presents the idea of them trying to hide their identities and meet in a casual place. The setting in this shot is a supermarket shown by the mise en scene of products stacked on shelves. How can murder smell like honeysuckle? This piece of dialogue develops the idea of him being a murder and links it to Phyllis giving hints into the enigma code. This uses hard lighting to create sharp edged shadows and also highlighting to create thin beams of light illuminating the walls and props within the room. The mise en scene of the living room is filled with shadows from the venetian blinds. A medium close up of Phyllis uses back lighting from the window to light her shot making her look innocent and angelic.
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The dialogue in this scene is very teasing and of is filled with some sexual innuendos. Scene develops Phyllis’s seductive, manipulative nature. This film follows a non linear narrative with convoluted twists & a back-story that refers to the events that happened prior to the beginning. Opening scene uses the male protagonist as a narrator and uses a flash back technique creating an enigma code. Shot ends with Diagetic sound off sound recording being put down. Here he is condemning himself for the murder of Mr Dietrichson. The opening presents themes of murder, fear & hints of him being manipulated. When he states in dialogue ‘accident double indemnity’ it links to the film name and suggests what crime he has commit. He fits the conventional male figure as he is dressed smartly & in a top hat. This medium close up shot reveals his facial expressions to be stressed & sweating heavily presenting him as a Anti-hero lacking heroic qualities. The audience is given the date, his name and we instantly know he is the male protagonist. This opening shot is a confession of Walter Neff.